Summary
- "The Sunken Place" in Get Out is a metaphor for the marginalization of Black voices in cinema and society as a whole.
- The Sunken Place represents a state of powerlessness and oppression, illustrating the struggles faced by Black artists and storytellers.
- Chris's escape from The Sunken Place is a symbolic act of resistance, using cotton as a tool to reclaim a symbol of oppression and survive systemic oppression.
Get Out is one of the most thought-provoking horror movies of the 21st century, thanks in part to the profound concept of The Sunken Place. Get Out, a film written and directed by Jordan Peele, has left an indelible mark on the landscape of modern cinema. Released in 2017, the thought-provoking horror-thriller masterfully blends social commentary with gripping storytelling, exploring themes of race and identity in contemporary America. The story follows Chris, a Black photographer, as he uncovers disturbing secrets upon visiting his white girlfriend's family estate. Peele's directorial debut not only garnered critical acclaim but also sparked widespread discussions about its underlying messages and symbols.
The film's legacy extends beyond its commercial success; it serves as a cultural touchstone that has reshaped conversations around representation and racial dynamics in cinema. What sets Get Out apart is its nuanced approach to horror, using the genre as a vehicle to address real-world issues. Get Out's most notable concept, "The Sunken Place," has become a powerful metaphor, resonating with audiences for its depiction of racial oppression. Its layered narrative, exceptional performances, and deft direction have positioned Get Out not just as a standout horror film but as a seminal work that challenges viewers to confront uncomfortable truths about society.

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Jordan Peele Says Get Out's The Sunken Place Is A Metaphor Lack Of Black Representation In Cinema
Jordan Peele's Get Out introduces the concept of The Sunken Place, a metaphor that has sparked much discussion and analysis. According to Peele, The Sunken Place represents the marginalization of Black voices and experiences, particularly in cinema. He succinctly explains this idea, stating in a tweet, "The Sunken Place means we're marginalized. No matter how hard we scream, the system silences us." This profound statement underlines the film's exploration of the systemic silencing and underrepresentation of Black individuals in the film industry and broader societal contexts.
In Get Out, The Sunken Place is depicted as a state of powerlessness and suppression, where the protagonist Chris finds himself unable to move or speak, while his consciousness is relegated to a spectator of his own life. This visually and emotionally impactful scene metaphorically illustrates the struggles faced by Black artists and storytellers in an industry where their voices are often unheard or overshadowed. Peele's commentary through The Sunken Place extends beyond the confines of the film, offering a poignant critique of the real-world dynamics that stifle Black creativity and presence in cinematic narratives.
How Chris Got Out Of The Sunken Place
The Get Out's two alternate endings see Chris lose, Chris's escape from The Sunken Place is not just a pivotal moment in the film's narrative but also a symbolic act of resistance and empowerment. To free himself, Chris uses cotton he picks from the chair's upholstery, stuffing it in his ears to block the hypnotic commands that send him into The Sunken Place. This act, laden with historical significance, represents an inversion of the painful legacy of slavery and cotton picking. By using cotton as a tool for his liberation, Chris reclaims a symbol of oppression and turns it into a means of survival.
The manner in which Chris escapes The Sunken Place is one of Get Out's many hidden details and can be seen as a metaphor for breaking free from systemic oppression. It signifies the importance of self-awareness, resilience, and using one's resources, however limited, to resist and overcome subjugation. The Get Out scene is not just a triumph within the narrative but also carries a deeper meaning about the fight against racial oppression. It's a powerful testament to the strength and ingenuity required to navigate and dismantle the structures that seek to marginalize and silence Black voices and experiences.