The Lobster ending raises a number of questions about the dark romantic comedy, including whether Colin Farrell's character David stabbed and intentionally blinded himself or not. The 2015 movie from director Yorgos Lanthimos is a surreal story about a lonely man named David who s a matchmaking service that motivates people to find love by turning single people into animals. After escaping from the facility, David s a rebel group that fights against the need for romantic couples only for him to meet and fall for the "Short-Sighted Woman" played by Rachel Weisz.

The Yorgos Lanthimos movie climaxes with David once again fleeing an oppressive society when the Short-Sighted Woman is blinded for falling in love. The final scene finds David and the Short-Sighted Woman in a diner struggling to find something in common, only for David to retreat to the bathroom with a knife to blind himself so that the couple can be the same. The Lobster ending shows David attempting to stab himself in the eyes but hesitating a few times before the screen goes black. It’s an ambiguous ending that never answers whether David goes ahead with his gruesome plan.

The World Of The Lobster Explained

Yorgos Lanthimos Created A Bizaree Dystopia Where People Are Turned Into Animals

Released in 2015, The Lobster was Yorgos Lanthimos’ first English-language feature and received an Oscar nomination for Best Original Screenplay. Original is a perfect word to describe The Lobster: it’s set in a dystopian society in which being single is against the law. People who become single are sent to a hotel populated by fellow singletons where they have 45 days to find a partner based on shared characteristics or else they are turned into an animal of their choosing.

That’s the predicament newly divorced, short-sighted David (Colin Farrell) finds himself in as he arrives at the hotel with his dog Bob in tow (who used to be his human brother) and opts to be turned into a lobster if he doesn’t find ‘love’ in the allocated time.

The strange, relationship-obsessed dystopia does have a rebel movement, however. Calling themselves the Loners, the group lives in the woods and strictly forbids any type of romantic relationship. David eventually s the rebel faction where he meets another loner (Rachel Weisz) who is short-sighted like him. They begin a secret relationship and plan on running away together until the leader of the Loners (Léa Seydoux) blinds the Short-Sighted Woman as punishment for their betrayal.

The Lobster’s ending leaves it up to viewers to decide what course David takes and highlights the impossibility of the choice he faces.

The Lobster is sometimes considered one of Colin Farrell's best movies, and the star offered his own take on the ending of The Lobster in an interview with EW. He thinks there are three options; David blinds himself, he simply leaves without telling the Short-Sighted Woman, or he doesn't go through with blinding himself but tells the woman he did. The Lobster’s ending leaves it up to viewers to decide what course David takes and highlights the impossibility of the choice he faces.

Why David Blinds Himself in The Lobster

The Desperate Measures People Take To Find A Match

The hotel in the early part of The Lobster pairs people up based on their superficial characteristics. As David is short-sighted, he is encouraged to pair with short-sighted women, under the theory that they will have something in common. The warped incentives of the system can be seen when John (Ben Whishaw) damages his nose in an attempt to be paired with a woman who suffers from nosebleeds.

While David ends up escaping the hotel, he still ends up following their ideas, whether consciously or not. He ends up seeking a pairing with a short-sighted woman, a trait so important it is used in the script in place of her name. When Léa Seydoux's Loner leader blinds the woman, David finds that he doesn't actually have that much in common with her and struggles to make conversation.

David has placed great importance on this relationship, risking his life to escape from the Loners, and now that he has returned to society, it seems likely he will just end up back at the hotel if he and the woman go their separate ways. The idea of blinding himself, echoing John's courtship of the Nosebleed Woman earlier in the film, reflects his desperation to make the relationship work as well as the fatal shallowness of thinking of romance as merely a matching of similarities, which helps to explain the ending of the dark romance movie.

Why And How Single People Are Made Into Animals In The Lobster

The Process Might Not Even Be Real

The absurd premise of The Lobster with the idea of loveless humans being transformed into animals is a process that nobody seems to question the workings of. Within the magic realism of Yorgos Lanthimos' movie, this transformation into animals stands in for the importance society places on romantic coupling or amatonormativity. Long-term single people are perceived as left-over, or in some sense less fully human than those in relationships — hence, in The Lobster they are literally made into subhuman animals.

Some viewers have speculated that the transformation into an animal is a guise, and the isolated individuals are simply killed and their organs harvested.

The exact process of how the transformation works is left somewhat obscure in The Lobster. It is believed to be a somewhat grisly process where humans' skin is removed, and their vital organs transplanted into the relevant animal. However, some viewers have speculated that the transformation into an animal is a guise, and the isolated individuals are simply killed and their organs harvested. The Lobster depicts David forcing Angeliki Papoulia's Heartless Women into the transformation room, but there's no depiction of the potentially grisly fate that awaits her.

What Happened To The Heartless Woman In The Lobster

The Character Shows The First Signs Of David's Rebellion

The Heartless Woman, whom David attempts to bond with by faking indifference to everything, is one of the most extreme and symbolic characters in The Lobster's narrative. David likely chooses to try to adopt her attitude as a way to bury his feelings after being left by his wife, but ultimately isn't able to embrace her extreme indifference when she starts attacking his brother, who has been transformed into a dog. When she threatens to tell the hotel staff he has been lying, David forces her into the transformation room.

The Lobster doesn't show exactly what happens to the Heartless Woman, although some viewers believe she is turned into a rabbit who appears later in the film. However, the woman's ultimate fate reflects that she had already long ago turned into an animal, existing only to coldly hunt other humans.

David's ultimate turn against her foreshadows the choice he will make to defy the Loners and try to pursue a relationship with the Nearsighted Woman later on. While he may not fit into his world's system of forced coupling, David also doesn't want to shut out the possibility of love like the Heartless Woman or the Leader. This leads to his difficult choice in The Lobster's ending.

The Real Meaning Of The Lobster Ending

The Lobster Suggests No One's Perspective On Love Is The Right One

The ending to The Lobster and its meaning is part of the brilliance of the overall movie as it gives the audience so much to think about. In the end, The Lobster can be seen as a commentary on romance and relationships in the modern world, especially with the increased use of social media in the dating world. The way people attempt to choose possible partners based on dating app profiles is reflected in the characters in The Lobster latching onto general and superficial aspects of each other to convince themselves these characteristics mean they are a good match.

Overall, it is a comment on how society in general is intrusive in the search for love.

It is, of course, an absurd exaggeration of that concept which fits perfectly into Yorgos Lanthimos' quirky take on the world. The movie could also be easily seen as a commentary on how society forces romance on people and punishes single people for not being with someone. However, the film goes deeper than that as the Loners are shown to be just as unaccepting of people wanting to make their own choices with their love lives. Overall, it is a comment on how society in general is intrusive in the search for love.

It is not just society the movie criticizes either. When it comes to The Lobster's ending and the choice David makes, it shows that David and the Short-Sighted Woman are not some predestined couple who are meant to be together and fight against all conventions to do so. Rather, they are two people who have bought into everything they have been sold about the importance of romance and convinced themselves they are an ideal couple despite not really having anything in common.

The fact that the Short-Sighted Woman doesn't have an actual name is telling. David is willing to risk everything to be with this woman, but he knows so little about her. If David is going to blind himself in the end, it is not a drastic action done out of love, but a self-centered one done out of the fear of being alone.

How The Lobster Ending Was Received

The 2015 Movie Was A Critical Hit For Yorgos Lanthimos

Yorgos Lanthimos has carved out a reputation for his surreal and poignant films, and his 2015 movie The Lobster was arguably where this began as far as many critics are concerned. It was received extremely well upon release and received rave reviews, as evidenced by its 88% Tomatometer score on Rotten Tomatoes. The ending of The Lobster factored into much of the praise, and there are several key reasons why.

Firstly, David's decision to blind himself at the end of The Lobster perfectly sells the intense paranoia that the dystopian world of the movie causes among those who live in it. It was also the moment that crystallized the film's many themes and its commentary on the obsessive way society views romance and being part of a couple. Both the setting and the satirical nature of Yorgos Lanthimos story were frequently commented on in the positive reviews of The Lobster. By extension, the ending was lauded, as it was in the final moments that both the movie's commentary on the real world and the ramifications of living in its fictional one came to a head.

The other reason that the ending of The Lobster was so praised is simple - it's incredibly shocking. While there's no shortage of disturbing undertones throughout the story, David deliberately blinding himself significantly ups the ante. Colin Farrell's David had been quite subdued throughout the majority of the film, even as he was escaping the hotel. Carrying out such an intense action pulls away the veil and shows, in a few short moments, just how desperate he truly was not to suffer the same fate as his brother.

This sudden escalation was received incredibly well, and seen as a much better way to show the character's true feelings. There were plenty of moments in which The Lobster could have had David show flashes of just how fearful he truly was, but instead, Yorgos Lanthimos chose to have the character appear sorrowful and morose. This made the ending all the more effective, and critics praised it as the perfect way to end The Lobster for this reason.

Of course, not all the praise of the ending was positive. There were a few critics who felt that the film lost its way by the time the final moments arrived. Writing for The Guardian, Peter Bradshaw echoes the feeling of many of the negative responses in his assessment that the film lost its way by the midway point, and that the ending didn't live up to the premise the first act set up:

After a hilarious and creepy start, The Lobster jumps the shark. This happens about half way through; its contrivances and contortions lose their angular rigor and point. It runs out of ideas and its style becomes a mannerism. The film loses interest in its extraordinary animal-transformation premise, and it abandons its initial, fascinating hotel setting, and all the superbly deadpan characters there, in favor of a new bunch of characters in a new place who are not as funny or interesting.

However, critics who share this sentiment are in the minority. Most reviews of The Lobster had nothing but praise for the movie, and almost all felt that the ending was the perfect way to wrap up the narrative.