Summary
- Kill Bill Vol. 2 pays homage to Westerns like The Searchers, showcasing Quentin Tarantino's love for revenge-filled narratives.
- Star Wars Episode IV: A New Hope draws inspiration from The Searchers, echoing themes of rescue and vengeance seen in the Western classic.
- Pixar's A Bug's Life cleverly mirrors Westerns like The Magnificent Seven and Three Amigos, showcasing the genre's influence on unlikely animated films.
As such an iconic and uniquely American genre, paghetti Westerns of Italian tradition, cowboy movies have become an immobile staple of pop culture. Even if the genre is far from as popular as it once was at the height of its box office dominance, many of the most famous Westerns have an enduring influence on many iconic films of other categories.
Interestingly, many Westerns are themselves modeled after classic Samurai movies, particularly the works of Akira Kurosawa. This influence has then gone on to shine in the iterations of Western plots that have come since the heyday of the genre, spanning a generational wave of clear inspiration. From science fiction classics to even family-friendly animated features, many films have surreptitiously stolen large chunks of their narrative from eerily similar Western predecessors.

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John Wayne's classic western The Searchers is one of the most influential movies ever made, having inspired everything from Star Wars to Taxi Driver.
10 Kill Bill Vol. 2
Copied The Searchers
It's no surprise that Quentin Tarantino is a huge fan of Westerns. The genre is often laden with the same revenge-fueled stories his early career was interested in, and Tarantino has gone on to direct a few Westerns himself, including Django Unchained and The Hateful Eight. But even before officially dipping his toes into the American West, Tarantino's films have been suffused with ideas lifted straight from some of the most recognizable installments of the genre.
Specifically, Kill Bill Vol. 2 takes some heavy inspiration from Western revenge flicks, especially The Searchers. The latter follows a former Confederate soldier in his bloody quest to save his daughter from Comanche raiders, mirroring The Bride's own unwitting quest for her kidnapped daughter. Beyond the surface level narrative similarities, Tarantino goes so far as to re-create a famous shot from The Searchers, emulating the prodigal return of the missing child.

Kill Bill: Vol. 2
- Release Date
- April 16, 2004
- Runtime
- 136 minutes
- Director
- Quentin Tarantino
Cast
- Beatrix Kiddo / The Bride / 'Black Mamba' / Mommy
- David CarradineBill 'Snake Charmer'
- Writers
- Quentin Tarantino
9 Star Wars
Copied The Searchers
Quentin Tarantino clearly wasn't the only one to find the 1956 revenge story so striking. George Lucas also put something of his own sin on the plot of The Searchers in the production of the very first Star Wars movie, later referred to as Episode IV: A New Hope. At a visual level, it's easy to spy Western influence creeping forwards in the original Star Wars, from the seedy cantina gunslingers to the oppressive heat of Tatooine's desert.
Like the protagonist of The Searchers, Luke Skywalker teams up with an old war veteran in order to rescue his kidnapped female family member, creating quite a similar dynamic to John Wayne's posse in the film. But the most obvious note of reference Star Wars makes to The Searchers comes about when Luke finds his family burned to a crisp at the hands of the Empire. The shot composition and emotion of the scene are nearly a beat-for-beat replica of the scene in The Searchers in which Wayne's character returns to his family's ranch only to find them massacred.

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Star Wars: Episode IV - A New Hope
- Release Date
- May 25, 1977
- Runtime
- 121 minutes
- Director
- George Lucas
Cast
- Luke Skywalker
- Han Solo
Star Wars is a seminal science fiction film released in 1977 that follows the quest of Luke Skywalker and Han Solo to rescue Princess Leia from the oppressive Imperial forces. They are aided by the droids R2-D2 and C-3PO, as they strive to restore peace to the galaxy.
- Writers
- George Lucas
- Franchise(s)
- Star Wars
- Studio(s)
- Lucasfilm
- Distributor(s)
- 20th Century
- Budget
- $11 Million

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8 A Bug's Life
Copied The Magnificent Seven and Three Amigos
While it may seem unlikely, Pixar animation's breakout hit A Bug's Life bears some heavy Western influence underneath the distracting surface of 3-D animation. A Bug's Life revolves around an ant who commissions a group of circus bugs in order to protect his colony from a ferocious band of grasshopper raiders. This premise in and of itself is quite similar to The Magnificent Seven, which was in turn heavily inspired by Seven Samurai.
However, a lesser-known Western comedy seems to bear an even more similar narrative to A Bug's Life, being the Steve Martin-led Western-comedy Three Amigos. The film follows a band of three American actors mistaken for real gunslingers by a Mexican village, who don't realize they are expected to trade bullets in real life until it's far too late. This easily served as the inspiration for the hapless circus bugs of A Bug's Life, who don't realize the danger of their situation, thinking their battle to be an elaborate performance.
7 Mad Max: Fury Road
Copied The General
The Mad Max movies could be considered to be Westerns in their own right, with their themes of survival, dramatic desert landscapes, and nomadic drifter protagonist better with gunshots than he is with words. Thusly, it should come as no surprise that visionary director George Miller was heavily influenced by certain Westerns when crafting the very first Mad Max movie. But even the most ancient of Westerns have gone on to have a clear influence on even the most recent entries in the series.
Interestingly enough, Mad Max: Fury Road bears some heavy visual resemblance to a black-and-white Buster Keaton silent film, The General. While the American Civil War narrative of the film may not ring very true to the simple plot of Mad Max: Fury Road, visually, the chase sequences and elaborate stunts of the film bear an undeniable visual resemblance to George Miller's work. The General seems completely natural when edited with the pulse-pounding soundtrack of Mad Max: Fury Road, and the post-apocalyptic joyride's sped-up frame rate sequences are indicative of 20s filmmaking techniques.

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Mad Max: Fury Road
- Release Date
- May 14, 2015
- Runtime
- 120 Minutes
- Director
- George Miller
Mad Max: Fury Road is the fourth film in George Miller's long-running sci-fi franchise, with Tom Hardy starring as Max Rockstansky, a vagabond who lives on the road in an apocalyptic wasteland. When Max comes across a cult group that keeps its people in fear and under control with a monopoly on water and other crucial supplies, he s up with Imperator Furiosa, a warrior woman leading a rebellion against the cult's leader, Immortan Joe.
- Writers
- George Miller, Brendan McCarthy, Nick Lathouris
- Sequel(s)
- Mad Max: The Wasteland
- Franchise(s)
- Mad Max
- Studio(s)
- Village Roadshow Pictures, RatPac-Dune Entertainment, Kennedy Miller Mitchell
- Distributor(s)
- Warner Bros. Pictures
- Budget
- $154-185 Million
6 Escape From New York
Copied The Dollars Trilogy
Although a genuine Western never made its way into the filmography of legendary filmmaker John Carpenter, the director has a clear love for the genre that shines through in his films. Nowhere does this become more apparent than in Escape from New York, and, to a lesser extent, its sequel, Escape from L.A. The first film follows Snake Plissken, an ex-soldier and federal prisoner who is given the task of rescuing the president after Air Force One crash lands in the dystopian mega-prison New York City has become.
ittedly, the plot of Escape From New York isn't all that similar to any of the films in Clint Eastwood's famous Dollars trilogy, with MacGuffins like Confederate Gold replaced with the President himself. However, Kurt Russell's performance as Snake is essentially a stolen blueprint of Eastwood's in the films, complete with a raspy voice and callous, self-centered attitude. This clear emulation is made all the more obvious by Lee Van Cleef's appearance as the villain Hauk, echoing his vile characters in Sergio Leone's Western classics.

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Escape From New York
- Release Date
- July 10, 1981
- Runtime
- 99 minutes
- Director
- John Carpenter
Cast
- Isaac Hayes
- Donald Pleasance
John Carpenter takes on the role of writer, composer, and director in Escape from New York, a post-apocalyptic sci-fi film where a large portion of New York City is converted into the biggest prison in the world, with all criminals in the United States sentenced there. When the President is kidnapped and taken abruptly into the heart of the prison, the government will turn to former soldier turned convict Snake Plissken to rescue him within twenty-four hours in exchange for a full pardon of his crimes.
- Writers
- Nick Castle, John Carpenter
- Sequel(s)
- Escape from LA
- Franchise(s)
- Escape from New York
- Studio(s)
- Embassy Pictures
- Distributor(s)
- Embassy Pictures
- Budget
- $6 million
5 Assault on Precinct 13
Copied Rio Bravo
If Escape From New York was merely John Carpenter's stylistic copy of a Western classic, Assault on Precinct 13 is where he re-creates one beat-by-beat. Assault on Precinct 13 centers around a police precinct that has been laid siege to by a dangerous criminal gang. This is very similar to the plot of Rio Bravo, which sees John Wayne's Sheriff John T. Chance holding out against waves of gang sent by their arrested leader, whom Chance has in custody.
Beyond the cursory similarities in the story, Assault on Precinct 13 maintains some key stylistic influences from Rio Bravo. One shot of blood slowly dripping down from a ceiling is nearly re-created identically in the former, albeit using a police car instead. Even the spectacular action climax of Rio Bravo, in which Wayne's Sheriff Chance detonates a bundle of dynamite on the gang , is nearly exactly copied in Carpenter's love letter, in which the hero does the same with an oxygen tank.
4 Starship Troopers
Copied Rio Grande
Paul Verhoeven's films are famous for being clever dissections of controversial ideals that typically go under-appreciated beneath the stealth of excellent sci-fi action. Starship Troopers is perhaps the best example of this, being a vicious mockery of fascism dressed up as a typical space opera. But the film also parodies a particularly problematic Western in addition to its general themes, something it conveys with visual and narrative language.
At a glance, Starship Troopers certainly does feel like a Western, with the breathtaking red rock landscapes of its desolate alien worlds evoking the horizon of the American Southwest. But the film's exploration of weaponized hatred as viewed through the lens of the Arachnid aliens emulates Rio Grande, a 1950 Western that pits John Wayne against an Apache tribe. Verhoeven plays with Wayne's character by putting Rico through similar circumstances, from his Army recruitment to his estranged lover.

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Starship Troopers
- Release Date
- November 7, 1997
- Runtime
- 129 minutes
- Director
- Paul Verhoeven
Cast
- Denise Richards
Considered a cult classic film, Starship Trooper is set in the not-too-distant future when humanity is at war with an alien race called the Arachnids. The film follows Johnny Rico, a teenager recruited into the military and the war against the Arachnids. Casper Van Dien stars as Johnny Rico, with a further cast that includes Denise Richards, Dina Meyer, Jake Busey, and Neil Patrick Harris.
- Writers
- Edward Neumeier
- Sequel(s)
- Starship Troopers 2: Hero of the Federation, Starship Troopers 3: Marauder, Starship Troopers: Invasion, Starship Troopers: Traitor of Mars
- Franchise(s)
- Starship Troopers
- Studio(s)
- TriStar Pictures, Touchstone Pictures
- Distributor(s)
- TriStar Pictures
- Budget
- $105 Million
3 Taxi Driver
Copied The Searchers
The third major film to draw heavy inspiration from The Searchers, Martin Scorsese's classic proves why the Western seems to have so much material worthy of emulation. Just like The Searchers, Taxi Driver puts an emphasis on the rescue of women from dangerous situations, with the controversial Western exploring similar themes of toxic masculinity. But Scorsese's influences go deeper than this ing similarity in plot.
Though it does so more subtly, Taxi Driver also explores themes of racism, chronicling how Travis Bickle justifies acting on his inherently violent urges via the rescue of a young woman. This isn't dissimilar to John Wayne's character's thoughts on the Comanche tribe. Above all else, both John Wayne's Ethan and Robert De Niro's Travis share an intense well of loneliness motivating their violent actions, their ultimate goal to free their damsels in distress being almost incidental.

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Taxi Driver
- Release Date
- February 9, 1976
- Runtime
- 114 Minutes
- Director
- Martin Scorsese
Cast
- Jodie Foster
Martin Scorsese's classic 1976 film stars Robert De Niro as Travis Bickle, a Vietnam veteran turned New York City cab driver whose increasingly disturbed mental state due to his PTSD begins to drive him to more and more violent actions as he attempts to rid the city of what he sees as the "scum" on the streets. Jodie Foster, Harvey Keitel, Cybill Shepherd, and Albert Brooks also star in the film.
- Writers
- Paul Schrader
- Studio(s)
- Bill/Phillips Productions
- Distributor(s)
- Columbia Pictures
- Budget
- $1.9 Million

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2 Die Hard
Copied High Noon
One of the most iconic and influential action movies of all time, it's no surprise that Die Hard takes some heavy inspiration from the progenitor of the genre, the Western. John McClane's informal designation as a "cowboy" by Hans Gruber doesn't come from nowhere, and it's clear that the film's sensibilities are rooted in the heroism of the old American West. Yet there's one film in particular that seems to have directly influenced the first of the Die Hard series.
High Noon is as typical as they get for Westerns with heroic characters, whose protagonist is a dead ringer for Bruce Willis' John McClane. The film follows a police officer who similarly makes a noble sacrifice to lead a one-man war against a group of violent criminals. High Noon's hero also gets back together with his estranged wife, leaving its influence on Die Hard obvious upon watching. Even if the Western doesn't feature tall buildings and submachine guns, its impression on Die Hard is easy to notice.

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Die Hard
- Release Date
- July 15, 1988
- Runtime
- 132 minutes
- Director
- John McTiernan
Cast
- John McClane
- Hans Gruber
Die Hard follows NYPD officer John McClane as he attempts to rescue hostages, including his estranged wife, from terrorists who have overtaken a Los Angeles skyscraper. Released in 1988, this action film is noted for its central character's resourcefulness and determination in overcoming overwhelming odds with limited assistance.
- Writers
- Jeb Stuart, Steven E. de Souza
- Budget
- $28 million
1 Outland
Copied High Noon
While Die Hard may have taken heavy inspiration from High Noon, the little known science fiction movie Outland all but remade it in a new setting. The film stars Sean Connery as the new marshal on a mining colony on the moon of Jupiter, Io. When a series of deadly, mysterious incidents start affecting the colony, it's up to the marshal to uncover the conspiracy and protect the innocent workers.
From the description of the plot alone, it should be obvious that Outland isn't a beat-for-beat remake of High Noon, perhaps labeled better as a spiritual re-boot. Still, all the elements of the original are there, from the honor-bound protector who refuses to give up on his charge of a small community to the ticking clock element reflecting the impending arrival of High Noon's villain. But best of all, Outland explores the same depths of bravery and selflessness as its predecessor, taking the familiar conflict out of the Western setting and into the furthest reaches of space.
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